The Absolute Most Shocking Scary Film of 2025 Came From a Intensely Individual Fear
Good Boy is a horror movie in a class of its own. We’ve seen haunted house movies, but instead of focusing on screaming teens or fearless ghost investigators, the story is presented from the viewpoint of a dog. (A Nova Scotia Duck Tolling Retriever, to be precise.) In Good Boy, Indy the pup must protect his owner as supernatural forces close in on their remote cabin.
At first scheduled for a limited release, this brisk, 90-minute thriller was granted an extensive theatrical run after its trailer went viral, with viewers hurrying to search engines to find out if Indy survives. This article won't reveal the ending here, but for those wondering where the idea for Good Boy came from in the first place, we've got you covered.
The Creative Spark Behind the Film
First-time director Ben Leonberg, who’s also the real-life owner of Indy, explains he aimed to create this movie to delve into the fears that every dog owner shares.
“I think it comes from a thought or maybe worry every dog owner has had, which is, ‘Why is my dog barking at nothing or staring at nothing?’” Leonberg remarks. “There's probably a perfectly valid reason for that, but the human imagination inevitably considers the worst, think ghosts. I wanted to play on that anxiety. Then, in the screenwriting and filming process, it was working out how to tell a story that really locks into that perspective, where we're limited to everything the dog can even understand as a way to have this narrative unfold.”
Good Boy is innovative in the best way, hooking audiences immediately with a protagonist you unavoidably care for and root for, handles skillfully exposition, and makes use of offhand dialogue from other characters, especially since our protagonist can’t talk.
Building the Animal's Narrative
Leonberg asserts that his dog isn’t giving a performance, but rather it's the creative skill of the film that gives life to each scene. Indy is one of the most innocent protagonists in film history, and that's not lost on its director.
“I think Indy, probably all dogs, all animals, are kind of a cheat code for pulling on an audience's heartstrings because they are innocent,” Leonberg says. “They don't know they're in the movie. And there's a really interesting lesson just about performance, that he's not performing. I can't say that enough, he does not know he was in a movie, but through filmmaking, the sound design, the music, the shots, the lighting, you can somewhat communicate an emotion and a feeling on his — what are otherwise neutral expressions — and the audience will assign an acting quality onto him. I think that genuinely is how most of the movie works: the filmmaking is telling the audience how to feel, and then they're putting that emotion on. He's listening to us just make silly noises on set. And the audience says, Wow, I'm scared. So the dog must be scared. He's not. He's just trying to figure out what his mom and dad are doing.”
Even down to the breed of dog, everything was carefully planned to fuel audience reactions.
“I think we relate to a dog like Indy,” Leonberg notes, gesturing to the pet sitting behind him. “He's not very big, he's only 19 inches high. The camera lives 19 inches off the ground, which was challenging in filmmaking. But I don't know if you would want a big Cujo St Bernard; that would be such a intimidating challenger for the supernatural.”
Indy is a bit small when it comes to beasts that might fight the supernatural.
“How could he possibly succeed? That's really good for a story,” Leonberg states. “Also stinking cute.”
Good Boy is in theaters now.
